SUNO TO VIDEO
A Suno video maker that ships the whole release
Suno video makers hand you a file and wish you luck. TuneSprint hands you a release: lyric-synced clips, a calendar for your 30 shorts and publishing that runs itself.
TuneSprint builds your release from your track: one full video and 30 short ones, published on YouTube, Instagram and TikTok — one a day, the same one on all three networks. Paid once, per release.
Take my spot among the first 100−30% on your first release
REAL RENDER — AUTO EDIT, CUT ON THE BEAT
The short answer
- Generating good-looking images has become easy. **Making them hold together across four minutes has not** — that is the real problem with a video built from a Suno track, and the one the "video makers" don't solve.
- A Suno track arrives with no shoot, no face, no rushes. Everything visual is built from the record itself: its structure, its chorus, its lyrics.
- What changes everything: locking a character reference before generating. Without one, every shot invents a new face and the video becomes a slideshow.
The real problem isn't generating, it's holding
Every tool can produce a good-looking image. Ask any generator for ten shots: you'll get ten decent images — and ten different characters. A face shifts, a haircut moves, a jacket changes colour. Strung together, that isn't a music video: it's a slideshow you watch politely for thirty seconds.
This is the pain artists trying to do it themselves describe most often, and it has nothing to do with image quality. Consistency is a method problem, not a model problem. It gets solved upstream: you fix a reference of the character, and every shot is generated from it rather than from a description rewritten each time.
That is exactly what our chain does: the character is extracted and locked before the first image, then each scene reuses its own reference. The settings change, the identity holds.
Starting from a Suno track isn't starting from nothing
A generated track arrives with no shoot, no actor and no rushes. Many conclude everything has to be invented. In reality, the record already holds half the edit: a tempo, a verse-chorus structure, a moment where the energy tips, and lyrics that say what it's about.
That's what a video that holds is built on: cuts landing on the strong beats, the strongest shot arriving on the chorus, lyrics appearing when they're sung. A video whose edit ignores the record is felt immediately, even without knowing why.
If your track isn't ready yet, start there — we wrote a guide on making a song with AI. And if you first want to understand what the free tier allows, the Suno free page covers the limits, commercial rights included.
What we do well, and what we avoid
Worth saying plainly, because it prevents disappointment. What works well today: moods, settings, wide shots, stylised characters, lyrics on screen, cuts landing on the beat. That's where video generation has become genuinely good.
What stays hard: very close facial shots that have to stay believable for several seconds, hands in the foreground, and perfect lip-sync across a whole record. Our art direction works around those limits rather than pretending — we frame differently, we cut at the right moment.
And on publishing: your music never trains anything, you own the videos, and nothing ships without your approval. If you want to know where each piece goes and at what pace, the social video page lays it out.
What you get for one release
One campaign, one payment. Here is what gets produced from a single track.
→ swipe the table
| What is produced | Detail |
|---|---|
| The full video | up to 4 minutes, 16:9, built on the structure of the record |
| 30 short videos | 9:16, synced to your lyrics, spread across YouTube, Instagram and TikTok |
| The publishing pace | never more than one video a day, the same one on all three networks |
| Your approval | every piece waits for your go-ahead before it ships |
| The rights | the videos are yours, commercially usable, no revenue share |
| The payment | once per campaign and per track — no subscription, no credits |
The rights on your MUSIC depend on the tool you made it with and the plan you were on — on Suno, free and paid don't carry the same terms. We claim nothing on your record.
From your Suno track to your release, step by step
Four steps. Only one asks work of you: the second.
Drop your finished track and lyrics
The audio file as MP3 or WAV, and the text. The lyrics serve two purposes: showing them to the second, and understanding what the record is about.
Give us your world and your references
Your colours, your mood, your red lines, and the accounts that inspire you. It's the only moment we need you — and it's what keeps your release from looking like everyone else's.
Approve the plan before production
You see the breakdown and the visual direction before we generate. Correcting an intention costs a minute; correcting 31 videos does not.
Watch it ship, then measure
The pieces publish at the planned pace. At the end of the campaign, you get the read on all 30 videos: what hooked, what didn't. That feeds the next campaign — we measure a finished campaign, not an isolated post.
The classic mistakes of a generated video
Generating without locking the character
Every shot invents a new face. It's the mistake that turns a music video into a slideshow, and it stays invisible as long as you look at shots one by one.
Ignoring the structure of the record
Cuts landing off the strong beats are felt immediately, even without knowing why. The record gives you the edit.
Chasing photorealism everywhere
Very close facial shots and hands remain the weak point of video generation. An assumed visual choice ages better than approximate realism.
Publishing everything on the same day
Thirty videos at once saturates the audience and blurs the signal. One a day holds attention and shows what works.
AND IF YOU'D RATHER NOT DO IT BY HAND
Everything above is the work. TuneSprint does it for you.
You drop your finished track as MP3 or WAV, with your lyrics. We produce the full video and the 30 short ones, cut to your record, and publish them on YouTube, Instagram and TikTok — one a day, the same one on all three networks. You see every piece before it goes out.
How TuneSprint builds your videos
- 01
Your track + your lyrics
You drop the finished audio as MP3 or WAV. The engine reads the structure, the chorus that hooks and the energy of the record.
- 02
Your world, locked
Your visual DNA and your character reference are fixed BEFORE generation — that is what makes the video hold from one shot to the next.
- 03
Your release runs
One full video and 30 short ones, published in the right format on each network, never more than one a day, the same one on all three networks.
Real renders, not promises
Clips from real TuneSprint campaigns.
Doing it alone, a video maker, or a release studio
TuneSprint
- The videos
- The full spread, synced to your lyrics
- The plan
- Your release calendar, from tease to upkeep
- Publishing
- Automatic, right format, right time
- Measurement
- What hooks, across the whole campaign
- The model
- Paid once, per release
Clip generator
- The videos
- One file, then good luck
- The plan
- None
- Publishing
- Still you
- Measurement
- None
- The model
- Subscription + credits
All by yourself
- The videos
- Weeks of editing
- The plan
- Gut feeling
- Publishing
- Every post by hand
- Measurement
- Scattered stats
- The model
- Your free time
WHAT YOU GET
1 full music video + 30 shorts
- A music video up to 4 minutes, built from your track
- 30 shorts synced to your lyrics, posted on YouTube, TikTok and Instagram
- Never more than one video a day, the same one on all three networks — we grow your account instead of burning it
- Nothing goes out without your approval. One payment, no subscription.
Les 100 premiers — −30 %
€273€390
on your first order, whichever package
Take my spot among the first 100No card today — we are not open yet.
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FAQ
What exactly do I get?
A full campaign: depending on your package, 1 to 3 music videos + 30 to 90 shorts (teasers, lyric videos, mood clips, Spotify visuals), a real release calendar and automatic publishing. Not a single file.
What files do I upload?
Your finished track as MP3 or WAV, and your lyrics. That is all we need. Importing your own footage is not available today: everything visual is built from your track, your visual DNA and the references you give us.
What if I don't like a render?
Adjust the captions, remove a piece, approve the rest. Nothing is published without your approval.
Does it only work with Suno?
No — any finished track works, whatever tool or studio it came from.
Who owns the videos?
You do, entirely. The music video, the shorts, the visuals: you own them and you can use them commercially, on any platform, without paying us anything afterwards. We take no rights on your music, no percentage of your revenue, and we claim nothing on what the engine builds from your track. TuneSprint is a tool you pay for once, not a label.
Do I approve everything before it goes out?
Yes, and that part is not negotiable. Every piece waits for your approval before it is published. You can remove one, ask for another render, or rewrite a caption. Nothing is posted to your accounts before you have seen it and said yes — not the music video, not a single short.
Is my music used to train an AI?
No. Your audio file does one thing: it lets us analyse your track — tempo, structure, hook, lyrics — to build YOUR release. It feeds no model training, it is not resold, it is not shared. You can ask for it to be deleted whenever you want.
Am I allowed to monetise a video made from an AI track?
That depends on the tool you made the music with and the plan you were on. With Suno for example, the terms differ between the free and the paid tiers — check yours before you publish. On the platform side: YouTube may apply Content ID if your track resembles a registered work, and asks you to disclose AI-generated content; Spotify and the others follow similar rules. We publish what you have the right to publish — the video side is yours without reservation.
Track's done? Make it heard.
We're opening in small groups to keep quality high. Leave your email: you get in first — and you'll see your campaign plan before paying anything.
Take my spot among the first 100−30% on your first release